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Pitchfork nailed it for a change: "[E]asily the best Built to Spill album of the decade-- an improbable late-career reawakening and heartening evidence that becoming dependable doesn't mean having to settle for being predictable."
Much has been made of Hospice’s subject matter and with good reason - the album’s unflinching discussion of mental illness, abortion, death, dying, and ill-fated love is legitimately haunting. However, the Antler’s debut also owes a major debt to compelling songwriting and clever arrangements. Without the potent horns that close “Bear,” the resounding organ that signifies liftoff on “Wake,” or the memorable melodies throughout, the listener’s desire to reach for a drink - if not a razor blade - by the time front man Peter Silberman concludes the album with coos of “You're screaming, and cursing, and angry, and hurting me, and then smiling, and crying, apologizing,” would not be nearly as strong.